The poem itself represents perhaps, as British poet and critic Arthur Symons once said “the noblest and most truly unique’ of “all love poems” (Seymons”1906, 125) for its particular insight into the specific, moment by moment, tribulations of both the interior sensations of longing and love, and the anterior practical responsibilities towards social reality at large. Generally known for his rich dramatic monologues, as one of the Victorian age’s most prominent poets and playwrights, Robert Browning’s (1812-1889) “The Last Ride Together” from his volume “Men & Women” (1855) offers a particular mixture of Modern, Victorian, Romantic and Classical dimensions that has rarely been approached in their rights as such.
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